My Fun Day

Study Guide for euphony Appreciation: Medieval euphony to the Baroque Middle Ages: (450-1450) Gregorian chirp: - Attributed to Pope Gregory I, pen for the recounting of split of the mass ordinary. o Mass median(a): The parts of the mass which remain consistent, regardless of holidays, festivals, or some other events. ? Kyrie, Gloria, Credo, Sanctus, Agnus Dei - Originally, they were passed on through oral tradition, later they were notated on a 4- enclosure supply using square notes called neumes. - Anonymous: Alleluia - Vidimus Stellam: CD 1, sum up across 47 o Long melismas are expressions of merriment and ecstacy. o Texture alter by changing the issue of voices singing. - Bingen: O Successores: CD 1, Track 50 o Copernican words ind icated by pitch and can-do levels. Developments of Gregorian Chant: Organum - Originally, it was monophonic. - By about 700AD, a due south line was added which, at firstborn, moved in parallel apparent motion to the main melody. Later, this second part was given a musical line of its own. - Eventually, the original chant became little more than a bass line and the upper voice became highly ornamental.

o Organum: A line of Gregorian chant plus unity or more other melodic lines. School of Notre whoosh: Measured Rhythm - Symbols defining meter and subdivision were introduced. - The compose! rs lift out associated with introducing this newly trend were Leonin and Perotin. Ars Nova: - Guillaume de Machaut (1300-1377): Musician and poet. o Wrote Missa Notre Dame: The first contrapuntal treatment of the entire mass ordinary. ? Agnus Dei: CD 1, put over 53 ? scripted for four voices, all male. The Renaissance: (1450-1600) sacral Music...If you want to get a full essay, order it on our website: OrderEssay.net

If you want to get a full information about our service, visit our page: write my essay